Hands on, practical, as well as a background understanding of historic and contemporary practices is an important part of developing new skills and a personal sense. Learning to assess your work is the first step towards enabling confidence and risk taking.
I have been a Teacher of 'abstraction' at San Francisco Art Institute (SFAI) and California College of the Arts (CCA), San Francisco. I have had numerous museum exhibitions around the world, and am currently living and working in Byron Bay.
Image_Object, curated by Paul Snell, Poinema Gallery, Tasmania
Grand Opening, curated by Kate Alstergren, Studio Gallery, Sydney
Spring Show, Studio Gallery, Melbourne
Colortalk, Olsen Gallery, Sydney
Formal, curated by Paul Snell, Poinema Gallery, Tasmania
Penumbra, group show, Olsen Guin, New York
Antumbra – A Summer Group Show, Olsen Gallery, Sydney
Wave, curated, BSA Project Space, Northern Rivers
2 x 2, group show, Olsen Gallery, Sydney
Slurp – A Gastronomy of Color, Solo show, Five Walls, Melbourne
0ppler, curated by Mel Prest, Transmitter Gallery, Brooklyn
Mixed Tape, Palmer Art Projects, Sydney
Chromatopia, curated by Louis Blyton, Melbourne
100 years after De Stijl, Openlucht Museum De Lakenhal
Visual Discrepancy, curated for Crawford Gallery, Sydney (2 person)
Trans, curated by Kyle Jenkins, Raygun Projects, Toowoomba
Samenhang, with Jasper van der Graaf and the collection of Camiel Andriessen, Het Kunstgemaal, Netherlands
Dirty Filthy Painting, curated by Michael Cusak, BSA Project Space, Northern Rivers
Line and Space curated by Suzie Idiens, Crawford Gallery, Sydney
Colour and Form, Olsen Gallery, Sydney Contemporary 17, Sydney
The Shape of Things curated for Artpiece, Mullumbimbi
Visual Discrepancy, Sydney Morning Herald, Spectrum, 2017, 100 years after De Stijl ,The Link, Architectural Magazine, Berlin,2017 Lavender Strike, Sydney Morning Herald, Spectrum, 2016, Unbounded boxed set of prints 2014, essay by Joan Waltemath, Doppler Shift Catalog, 2014, Doppler NY 2013, Index 3 (publication), 2012, Doppler Europe 2012, Kunstbeed,Nr 9 Sugarmountain 2 2011, An Exercise in Seeing at Brooklyn Artist's Gym by Eric Sutphin, 2011 Catalogue Retour aux Bases / Back to Basics, Pont de Claix, Grenoble, San Francisco Chronicle November 2009, Abstract commingle well… Kenneth Baker, Peter Selz, "TRANS: Form|Color ", Exhibition Catalog Essay, Meridian, Gallery, San Francisco, The Space Between at SJICA Artweek June 2008 ARTKRUSH 2004 micro review by Christopher Elam, Chief Editor of Artkrush, Sydney Gay Games 2002 Review of Powerplay, Sydney Morning Herald October 1990. Fresh Art S.H. Irvine National Trust, Arts Editor, John McDonald Eastern Herald Art Review, Verisimilitudes, D.C. Art, Sydney Writer, Martine Ranby ArtLink, Spring 1994, Non-profits and their Artists Editorial Highlights Minimal Painting by Brent Hallard currently on show at FIRST DRAFT, SYDNEY EYELINE September 1988 Brisbane Art Publication. Brent Hallard -Imperfect Geometries. Interview with Adriane Boag, First Draft Director
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